Posts Tagged ‘Television’

Rich Hall’s The Dirty South – Quality Television

It’s not too often I’m compelled to urge people to watch a TV show, I tend to do it more with films or dvd box sets but I shall make an exception after seeing what will probably end up being my televisual highlight of the year. The show in question was Rich Hall’s The Dirty South (BBC4, 12/07/10) which set out to prove that Hollywood’s depictions of the American South throughout the years are wide of the mark in many cases. Attempting to disprove the notion that the South can be easily catergorised by the three R’s – rednecks, racism and religion, this programme was not just insightful, it was very funny thanks to Hall‘s pieces to camera which were crammed with wit and polemic while all the time remaining informative. I doubt if anyone will be as consistently funny as a presenter of a show this year.

With the work of novelists and playwrights such as  Erskine Caldwell, Tennessee Williams and William Faulkner all coming under the spotlight it would have been easy to film a whole show simply on the literature that has come from the south and how it has been depicted on the big screen but with the inclusion of other films set there and the music created there this really was quality television. Add to that Hall’s guiding and sardonic presenting style and the show was the complete package. I’m not sure how often this programme will be repeated but it’s currently on the BBC iPlayer here and I’m sure it will pop up on YouTube at some point. I would certainly hope for a DVD release although I’m not sure if one will be forthcoming.

I could easily fill up half a page with superlatives and adjectives concerning The Dirty South but I shall wrap up on the following nugget. It’s not often I laugh out loud when watching something on my own but I did on various occasions none more so than when inside Sun Studios in Memphis and in front of the famous photo, Hall commented “Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins in the same picture,”. Quickly followed by “If you were a religious scholar, that would be the equivalent of Jesus, Buddha, Mohammed and Carl Perkins in the same picture.” Priceless.

Image – metro

In Appreciation of… Bob Monkhouse

In recent years British broadcasting has seen something of a resurgence of the old guard. The television careers of Bruce Forsyth, Terry Wogan and Noel Edmonds to name but three have been reinvigorated and they are now regularly seen on our screens once more. There is another name that could easily have been added to this list had it not been for his very sad passing in 2003, that name is Bob Monkhouse.

I actually see Bob in a bracket all of his own. As a performer, his skills in ad-libbing and improvisation were more than a match not just for his contemporaries but also those who would follow him the worlds of comedy and entertainment. Aside from writing and performing  he remained a fervent  fan and devotee of film and comedy throughout his life. He owned a vast personal collection of rare films and a legendary compendium of joke books which were famously stolen in 1995 and then returned eighteen months later on the back of a ten thousand pound reward.

I had the great pleasure of working with Bob in his latter years but I’ll come to that shortly. My first memory of seeing him was when he hosted Family Fortunes. Of course, he hosted many quiz shows throughout his career including The Golden Shot, Celebrity Squares and Wipeout and to some that’s all he was, a quiz show host. This is somewhat inaccurate as he did much more in a career that proved as varied as it was successful.

In his early days Bob was predominantly a writer with early examples of his work found in The Beano and The Dandy comics. He then teamed up with his one time writing partner Dennis Goodwin to provide jokes for the comedians and stars of the day ranging from Arthur Askey and Max Miller to Bob Hope and even Frank Sinatra. Albeit keeping him in money these writing gigs didn’t give Bob the fame he achieved as a presenter of numerous quiz shows, as host of Sunday Night At The London Palladium and as an actor in British films such as Carry On Sergeant in 1958 and Dentist In The Chair in 1960.  He would continue to perform standup throughout this period and is viewed by many of todays comedians as something of a godfather figure. There is a great early clip of him on You Tube to be found here and it’s a quite exquisite insight into the mans comic capabilities.

So to my personal experience of working with Bob. In my second ever tv job I bagged the role as roving reporter on a BBC programme called The Bob Monkhouse DIY Film Show. As the title suggests the show looked at all aspects of do it yourself filmmaking as well as interviewing directors, actors and producers. This really was a dream job for me as firstly I have always been a massive film fan, secondly I got my first job in television on the back of a short film I had made and thirdly, I had the chance meet Bob Monkhouse!

The bulk of my filming was done independently with a separate crew as I was at a film premiere one minute and then at a film festival the next whereas Bob was at different locations filming his links. Luckily there was to be one day when we were both filming at the same location and to say I was excited about this would be an understatement. Due to the intensity of the days shoot I didn’t get a chance to speak to him until lunchtime when thanks to a producer who knew I was a fan, I was placed next to him at the dinner table. Nervously, I quickly introduced myself but Bob immediately put me at ease and said the pleasure was all his which was a very kind gesture on his part. For the following half an hour we chatted, or more precisely, Bob chatted and I intently listened. What struck me most was his vast knowledge of film. I could have listened to his anecdotes for weeks although trying to recall all the details now is slightly difficult as I think I must have been in a bit of a daze at the time. I do remember spending a good while discussing Jack Nicholson and in particular the film As Good As It Gets which along with wife Jackie who was also present, Bob was a big fan of.

At the end of lunch Bob decided to go to his trailer and I saw this as a chance to fulfill a promise to my Dad. When I received the news that I would be working with Bob my Dad had mentioned that he had a Bob Monkhouse book and if I ever got the chance for Bob to sign it he would be most grateful. As Bob made his way to the trailer I saw it as my window of opportunity. Luckily I had the book on my person along with a good quality pen. As Bob had left the table shortly before me I had to be quick but succeeded in catching up with him and with a quick precursory clearing of the throat asked if he would do the necessary. I was worried that I might not be the first to have put in such a request that day but if I was just the latest in a long line of fans craving a signature Bob certainly never let on. He was pleased to sign a copy of Over The Limit: My Secret Diaries 1993-8 but it wasn’t until reading the message he had left some moments later that the true character of the man became even more apparent. The message he wrote read “For Ian – my life is in your hands. Hope this book makes you smile – (from the author, a friend of Douglas) Bob Monkhouse. 30:5:00.” I was genuinely touched by what I read and didn’t care if he had written similar messages many times before for other fans of his work. There it was in black and white.

It was with obvious sadness that I heard the news of Bob’s death in December 2003 although it wasn’t a great surprise as he had been battling cancer for some time. It was testament to the man that he kept performing as much as his body would let him while all the time his mind and wit remained as sharp as ever. In the subsequent years since his passing I’m glad he is increasingly viewed as a great comedian and writer and not just a quiz show host, not that there should be any stigma attached to presenting such formats if you do it as well as he did. He made it look alarmingly easy and that just serves to accentuate the supreme quality of his performing skills. There are many words which would contribute to an adequate description of  Bob – comedian, writer, host, entertainer and actor would all suffice.  I would of course also add just one more – friend.

Image – John Gushue

When Two Cultural Worlds Collide (In a good way)

How many times have you been watching a film or a television programme you really enjoy only for it to reach new heights with the addition of a song you love? It’s happened to me quite a few times and I wanted to put a video up which illustrated the point. After a fair bit of deliberation, I have decided to go with the clip below. It’s from the sixth season of The Sopranos and features Christopher Moltisanti lapsing back in to his old ways. For those like me who are fans of the show this scene doesn’t need too much explanation. For those who haven’t seen the show, and I suppose there must be some, I would urge you to go and buy the full box set at the next available opportunity, like a trusted friend in a time of crisis, it won’t let you down.

The song used in the clip is Dolphins by the wonderful Fred Neil. I remember watching this when it first aired on television and just being blown away. It remains one of my favourite passages in a show which as has been well documented, is one of the greatest ever made. I hope you enjoy it, I think it’s majestic.

In Appreciation of… The Word Magazine

The Word Magazine

Over the years I have bought just about every music publication going – The NME, Melody Maker, Q, Select, Vox, Record Collector, Uncut and Mojo to name a few. However, I am now left with just one regular purchase but one I am very happy with – The Word magazine.

While The Word has in the past used the tag-line of “Intelligent Life On Planet Rock” it is far from just another music magazine targeting an ever decreasing number of people who are not content just to get their journalistic music fix online. Aside from a great reviews section and insightful columnists including Andrew Collins and David Hepworth, the great strength of The Word is that it seems to know its readership more than many other magazines. This is in no small measure down to the editorship of Mark Ellen who manages to include both populist and esoteric subject matter that never feels jarring to the reader. I’m sure I’m not the only one who feels the magazine is perfectly tailored to my cultural passions. In past editions there was every chance you could find an article on The Wire or The Sopranos but on the next page find an interview with Melvyn Bragg or a critique of a relatively unknown musician whose work is worthy of re-appraisal and of potential interest to many.

Due to my regular appearances on the BBC Radio 5Live show Fighting Talk, I have got to know Jim White who writes film articles for the magazine. I think he appreciates the fact that, although a fan of his writing in The Telegraph, I am just as vocal in my approval of his work in The Word. Not, I would imagine, that he needs my approval to sleep well at night.

The magazine’s website excellently complements the ethos of its paper partner. Here, along with podcasts and a filmed introduction to the latest issue by Mark Ellen and reviews editor Kate Mossman, there can be found a loyal band of bloggers known as The Word Massive. They regularly discuss and meander around a whole host of media related subject matter and make for an informative and humourous online community of like mindedness.

Unfortunately, I had a slightly bittersweet relationship with the magazine a couple of years back and it stemmed from a failed relationship. Whilst going out with my then girlfriend I had mentioned in passing that I was an avid reader of The Word and that it was the only magazine I would make sure to buy every month. It was a great surprise then that on my birthday she told me that she had bought me a years subscription. No more going to the newsagent for me, it would just pop through the letter box and I wouldn’t even be paying for it. Alas, a month or two later we split up and whilst we both came to the realisation that the relationship had run its course, it was still sad and the thought of singledom didn’t appeal very much. As a result, I would have the joy each month of having my favourite magazine delivered to my door but with it the memory and introspection that goes with a failed relationship. Thankfully, such thoughts dissipated over subsequent months until the subscription ran out leaving me facing a return to the newsagents again. I should really re-subscribe as it works out cheaper but it has proved practical to do one’s magazine and stationary shopping all at once.

Whilst The Word reports on a wide range of music, film, literature and television it thankfully shies away from trends which can be as vacuous as they are fleeting. Whereas some magazines seem intent on trying almost anything in order to maintain readership The Word is admirable in its propensity not to pander to latest trends but all the while managing to remain abreast of the cultural zeitgeist. With more magazines than ever going to the wall due to economic hardships it seems that for the moment at least The Word is in safe hands, and long may that continue.

Image: The Word Magazine